Finally, a series of long overdue posts to bookend the post introducing the cast of characters at the iDtown residency...an amazingly productive time for all & here's what got made...
I was so entranced by the factory that I might not even have mentioned that we lived a stone's throw (or really, a leap over the prefab worker's shelter on the far side of our garden) from the beach of the South China Sea. But, interestingly, for all four of the Chinese artists (out of the seven of us), it was the ocean & the beach that were the thing.
Ed Lo, perhaps answering his ancestral call to sea, spent his days on the beach harvesting sound. You might imagine this sound as that of the waves breaking on the empty shore during the lonely off-season but you would be entirely off the mark. This is China & even in a deserted village there is ceaseless human activity. Each day of even marginally good weather the beach filled with wedding photographers & dressers & stylists & their prey, the [very young!] newly- or soon-to-be- weds.
|photo credit: my bad studio snap of Ed's beautiful b&w photo...|
for more beautiful images go to "Ears & Eyes" at www.auditory scenes.com
In Ed's black & white still, it looks like La Dolce Vita but it's actually Happy Island Photography, working to the susurrations of the charismatic photographer's "xiao xiao Xiao." (smile smile Smile.)
At the end of residency, everyone's studio box became their exhibition space...a new experience for all to remove the traces of a working studio & transform the space into gallery. The transformations were lovely in every case but it was in Ed's studio that I stayed on & on, listening to the stones & cement speak the quiet that was in hiding at the beach... Click here for something of the experience in Ed's "Eyes & Ears: Homage to Rolf Julius." And here for his take on the tranquility of the factory, "Eyes & Ears Special Project: Concert for the Empty Loft."
While Ed was trying to grasp the current moment, Jiang Hong Qing had flown off in his mind to the future history of Guang Hu, to a time when China is the world's only superpower & deeply invested in the genetic engineering of humans.
|Photo credit: Collected from our WeChat exchanges...I think it's shot by Vivay, Glorious Barista.|
On Guang Hu Beach, employing a plastic doll allegedly modeled on the Chinese-American basketball star, Jeremy Lin, and a slew of props ordered from the amazing Chinese online marketplace Taobao, Jiang Hong Qing staged "Dust Harbor," a short animated film that somehow managed to fully capture the inner life of a young soldier yearning for home. Seemingly abandoned by his command, yet continuing to serve out of a sense of duty, he ponders the meaning of existence & of selfhood as reflected in the individual grains of sand on the beach.
Jiang Hong Qing received a classical academic art training but eventually turned to video & animation. Film, he says, allows him to explore what he feels is the essential human condition, our existential loneliness, the way in which we are each ultimately unknown to the other. But, as He-Whom-I'm-Trailing observed, it was probably Jiang Hong Qing's skill as a figurative sculptor that gave the plastic doll the range of expressive postures & gestures that allowed one to so fully empathize with the young soldier, so completely believe in his identity and personality.
Li Xiao Fei whose work is all about factories - to date, he has filmed in some 190 of them - was often away from our factory, filming in the nearby industrial cities of Guangzhou & Shenzhen. Not so surprising as it's the factory work life that fascinates him & our factory was hollowed out of all but us "creative industry" types. But, in the end, it was not the factories but the stories told by the Guang Hu villagers about the dark tankers that hovered off the beach that inspired the video Li Xiao Fei showed in his studio box.
Juxtaposing the wonders of wedding photography & the silent menacing presence of the tankers illegally dredging sand offshore, Li Xiao Fei's video was poignant & amusing & quietly provocative in the mix that makes all of his work so absorbing to watch. As with Jiang Hong Qing, there's a central premise that informs Li Xiao Fei's Assembly Line videos, an epiphany that came to him as he rode the Circle Line Cruise around NYC, the reality that all of us in our way are on an assembly line, each of us finding meaning where we can in what we do. He writes: "Assembly lines, large or small, uphold social systems and maintain a surface appearance of order... This order is constantly being cut up, restructured, transformed and rebuilt into an illusory reality."
|photo credit: all above snapped by me from videos playing in the artists' studio boxes|
The little bell sound that Taobao's Chat makes is now forever associated in my mind with the artist who made it possible for us all to be at the iDtown residency in the first place, Chen Hang Feng. Those of us who don't read Chinese kept him so busy ordering materials on Taobao that he unfortunately never got to make any of his own work. But he did get to the beach. To all of our awe, in a wetsuit bought on Taobao, for up to an hour each day, Hang Feng swam in the cold cold sea.
Next up, what the factory inspired...