The summer blew by without blogging but the Cabinet itself, in its new NC home, did not go unattended. After several years of only opening drawers digitally, it was interesting to re-install all the curiosities back in the drawers & give the whole project a good think.
There were several drawers that were empty when the cabinet shipped out in the late fall of 2010 and several small book projects that were meant to be in the drawers that never got done and a box of things in Shanghai that have been wanting to get into those empty drawers... & so that's what the next months are dedicated to as I get the Cabinet ready for a show opening April 1 in Washington D.C. at the Hillyer Art Space.
Along the bottom of the cabinet are 3 large drawers.
And it occurred to me that one of them would be a good home for my Shanghai Daily book, seen below as installed in my first "chinese" show, Chinese Garden for the Delights of Roaming Afar, at Laumeier Sculpture Park back in 2005.
The book is a collection of articles & photos extracted from the Shanghai Daily, the government-run English language newspaper, the newspaper scraps taped into the study notebooks used here by school children. In my first years here, I loved reading the Shanghai Daily with its strange facts about things like the percentage of cookware at the market found to be faulty & the obstructive dangers of laundry displays & the doings of the Beijing Opera school (above) & moralizing editorials about visiting your elderly parents...I mean, with all that is going on the world these days, how can you not love "Chicken & Chatting prove keys for long life" from today's edition:
Gong Jingfa wipes the forehead of mother-in-law Li Suqing, 116, at the family home in the Pudong New Area yesterday. Li, who moved to the city with daughter Tian Yulan and Gong from northeast China’s Liaoning Province in 1975, is Shanghai’s oldest resident. She was named at a ceremony yesterday as one of the city’s “longevity stars.” The Chinese character on the wall means longevity. — Zhang Suoqing
I also loved the little notebooks I taped my selections into, with their retro-futuristic covers (as Shanghai's urban philosopher, Anna Greenspan, might call them) and their interior pages gridded & lined in various ways appropriate to their subject.
Eventually, I bound all the little notebooks together into a satisfyingly chunky paperback.
Traditionally, Chinese books are soft-covered with stab bindings. Their profiles are relatively slim, perhaps 1/2- 3/4" thick, which means that a long text might require several volumes. These volumes are then encased in a hard board case wrapper that leaves the top & bottom edges exposed. An example with just a single volume:
My friend Petra Johnson has been making great use of this format to document her Walk With Me project & she graciously took me along to the Chinese Art supply store on Fuzhou Lu where she has her cases made. Not only did they make a beautiful wrapper for the Shanghai Daily book - though it must have been mystifying why one would put a beautifully crafted case around such a mess of a book! - they also sold the kinds of papers I'd been looking for when I first started lining the drawers...Not being able to locate those papers then, I resorted to chinese brocades with their acidy bright colors & I suppose it was for the best...they certainly put the noise & the flash, the neon, into the cabinet in a way these papers wouldn't have. As seen below: the original version of Drawer 66 on the left & the new drawer in progress with the encased book & new papers on the right...
But those violet sequins are going to have to go somewhere; they are just too luscious!